Written by  – Chris Kent

Some of the people who read this article will not like it. It may upset them or disrupt their status quo. But as the old saying goes, “Often, it is easier to tell people what they want to hear than what they need to know.” In my over 37 years of involvement in Jeet Kune Do, it seems that at certain times it becomes necessary to educate (or in some cases, re-educate) people with regard to the true nature of Jeet Kune Do.

We need to get one thing clear at the outset. There is no universally-accepted definition of “Jeet Kune Do.” Saying “JKD is Bruce Lee’s martial art” is merely a statement, not a definition. Saying JKD is “Bruce Lee’s own personal expression of martial art” is even more confusing, because if that is the case, no one else could do it except Bruce Lee himself. Calling Jeet Kune Do an ‘idea’ or a ‘concept’ is nebulous and does nothing to help an individual understand the art. Having said this, I cautiously offer the reader my personal definition of Jeet Kune Do. Concerning the physical component, Jeet Kune Do is “a principle-centered training process to cultivate the ability to express the human body in combative form without any restriction or confinement..” It’s about cultivating your body as a martial ‘instrument’ and expressing yourself with the highest degree of efficiency and effectiveness and with total freedom in combat. With regard to the philosophical component, Jeet Kune Do is, “a fluid set of operating principles to help you live your life at the pinnacle of developed potential.”

Every few years some new phraseology pops up on the JKD scene. Some new prefix or suffix is attached to the name Jeet Kune Do (which usually ends up being little more than an attempt by a person or group to carve out a niche for themselves in the burgeoning JKD market, and support their own agenda). Throughout the years we have seen terms such as “Original JKD”, “JKD Concepts”, “Chinatown JKD”, Old School JKD”, “Functional JKD”, “Pure JKD”, “True JKD”, and “Contemporary JKD” become part of the JKD world. My concern is not with the names put forth by any individuals or groups. My concern is with the misperceptions concerning JKD that continue to flourish as a result of material that is put forth concerning the art.

Bruce Lee — the starting point

To comprehend the true nature of JKD, one has to first understand the “root” of the art. The root of Jeet Kune Do was not, as many believe, Wing Chun Gung Fu. While Wing Chun may have served as a launching platform for Lee’s martial endeavors, it was merely the first martial art Lee studied in depth. The “root” of Jeet Kune Do was Bruce Lee himself. It was what lay between Bruce Lee’s ears that made him so good. It was his mind and his thought processes that allowed him to actualize his potential as a martial artist.

Lee’s way of thinking directed him to search for the fundamental truth or “essence” underlying efficient human movement in combat. And when he did, he looked to science rather than tradition, to “motion” rather than “style”; spending thousands of hours training, researching and investigating various forms of martial arts as well as human anatomy, physiology, kinesiology and physics. Lee was interested in what made for a more efficient kick or punch, not where it came from. According to Dan Inosanto, Lee used to tell him, “Dan, if you understand it and can use it, it belongs to no one; it’s yours.” And if Lee absorbed something into his structure, it simply became a part of his personal combative arsenal.

Bruce Lee’s attitude and point of view toward martial arts changed considerably through the years, from the time he began his training in Wing Chun gung fu, past the time when he initially conceived of the idea of developing the “ultimate” gung fu system, beyond the time when he named what he was doing “Jeet Kune Do, all the way up to when, shortly before his passing away, he was throwing things away and getting rid of the idea of “styles” and “methods” altogether. To understand JKD you’ve got to look at the entire process in its totality. You cannot stop and memorialize any specific point along the way (the “Seattle era”, the Los “Angeles era”, the “1967-1969 period”, etc.) and say “This is what JKD is all about.”

It’s all about “Totality”

Since its creation, Jeet Kune Do has always been about “totality.” Yet the latest element to be put forth for inclusion in JKD is the use of certain techniques and tactics that are considered “dirty” or “filthy” in order to make the art more up-to-date and more combat-effective. These techniques and tactics include such things as biting, eye gouging, pinching, etc. The message (and misperception) that is being presented to the martial art public is that these elements did not exist in JKD before they were added in by these people. This is a fallacy.

I am fortunate to have copies of Lee’s seven-volume “Commentaries on the Martial Way” (both original and typed versions). The following notes are taken directly from Volume 7. This particular volume was laid out more as a personal training journal as compared to the others, which were comprised mainly of notes drawn from various research sources. For this reason at the top of a page you will see written such things as “Research Notes for November 12 (Thurs.) 1970.”

# Specialized All-in Fighting

1) poking eyes

2) pulling hair — as immobilization, as release, as assist

3) biting — as release to disable and to attack in close

4) practice forearm pinching to hurt

5) grabbing groin

6) specialize in under belt attack with kicks, strikes, punches, and grappling

# Let “body feel” on the forearm as a destructive weapon (use as loose club snap or club) alongside with elbowing.

# Look into breaking the joint and limbs:
breaking by

a) directed kicking — thrust kick, push thrust, snap kick

b) directed striking

c) limb locks by pressure

# Practice relaying inverted bottom fist to groin or “downed” opponent alongside

# Practice relaying snapping forearm smash — add to tools possibility

# Investigate into butting:-
1) with head
2) with hips and buttocks
3) with shoulder

# Investigate –
a) elbowing
b) kneeing

# Investigate into fighting from ground –

1) as attack into opponent

2) as counter

3) using legs mainly

4) using legs and hand

(develop such mastery that one can fight safely from the ground)

# Investigate into clawing with attempt to tear apart the

a) throat

b) groin

c) hair

I have included more of Lee’s notes regarding pinching, biting and eye gouging, etc. so that the reader can get a better sense of the actual “totality in combat” that Lee was striving for.

It is clear to see that the so-called ‘latest” or “new” JKD techniques (as well as numerous other so-called “dirty” techniques) were listed as part of Lee’s combative arsenal over forty years ago. The fact that individuals may not have been aware that such material or techniques existed in JKD or was part of the totality of JKD may be due in part to the fact that much of Lee’s written material was not accessible to the public, including many JKD practitioners, until the Bruce Lee Library Series was published in the late 1990’s. Because many of these things were listed in Lee’s journal as personal “investigations”, they were not included as part of the general JKD curriculum which was taught in the classes. However, knowledge of them was made known to me as well as other JKD practitioners who trained under Dan Inosanto as far back as the early 1970’s. For example, on numerous occasions Dan discussed Lee’s incredible forearm and grip strength and his use of pinching and grabbing an opponent. This was not done from the perspective of a “JKD pinch” or a “Filipino Kali pinch”, or a “whatever pinch”, but simply from the perspective of “pinching.” Did we ever have a class on various schools of pinching? No. If you look at the book “Jun Fan/Jeet Kune Do — The Textbook”, which was written by Tim Tackett and myself in 1988, you will find actions such as biting, pinching, eye gouging listed as dirty fighting under the basic elements of attack.

This leads to questions such as what type of JKD a person was originally exposed to in their training? What was the attitude or mind-set they learned with regard to the overall structure of JKD? What was included in the curriculum they were taught? Were they, for instances, simply taught various kickboxing, boxing and hand-trapping elements as the sum total of JKD? Again, in Lee’s notes in his Commentaries on the Martial Way, he wrote:

The importance of fluidity in inter-changing of:

1)      Hitting/kicking

2)      Grappling/throwing

3)      Joint locks

a)      standing

b)      on the ground

c)      immobilizing techniques for — (1) arms   (2) legs

So my question is, what part of the “totality” of JKD do people still not get? Furthermore, how do you evolve totality? The answer is that you can’t. You may be able to improve your own knowledge and understanding of elements within it, but if something is “omni” or “all”, you can’t get beyond that. It’s like trying to go beyond 100%.

Getting rid of “Styles” and “Labels”

We often read and hear about how JKD is supposedly all about getting rid of the whole notion or idea of styles, etc. Then along comes a member of the JKD community who writes about how the evolution of JKD requires combining “original” JKD with Thai Boxing, Brazilian Jiu Jitsu, and lists off a bunch of other combative styles you might also want to toss into the mix. In an article which appeared recently in a martial art publication, the author, who is a noted JKD instructor, made the statement, “The conclusions we discovered in our JKD classes are identical to the conclusions the MMA world has discovered: Ninety-five percent of the techniques you need for one-on-one empty hand combat come from two arts; Thai Boxing and Brazilian Jiu Jitsu. Once you have the foundation in Thai Boxing and Brazilian Jiu Jitsu, you should spice up your game by throwing in other styles.”

Let’s attempt to deal, once and for all, with the issue of “styles” as they relate to Jeet Kune Do. Oftentimes, when I am with someone who is observing a JKD training session, depending upon what they are watching, I hear comments such as, “He’s doing Wing Chun” — “He’s doing Thai Boxing” — “He’s doing Brazilian Jiu Jitsu”, etc. The problem is that the people who make these comments are still hung up on “styles” and labeling what they see as being from “this” style or “that” style. They are locked into categorizing and labeling everything they see, even down to the current label du jour, “He’s doing MMA.” When it comes to JKD, an individual expresses themselves using whatever technique or action they choose to use at the moment. At times what they do may resemble Thai Boxing or Savate, at other times it might look like Wing Chun Gung Fu or Ju Jitsu, etc. Self-expression doesn’t mean that everyone will look totally different or move in a completely different way. That’s impossible in any endeavor or activity. Similarities will always appear because efficient human movement in combat is just that, moving efficiently.

While Lee drew what he referred to as “essences” from diverse forms of combat, both Eastern and Western (and many times these essences were such things as speed, power, economy of motion, etc. as opposed to merely techniques), he did not keep the names of the sources attached to what he was doing. He did not, for example, tell his students, “Okay, now we’re doing this punch, which comes from Western boxing” — “Now we’re going to do this footwork, which comes from Western Fencing” — “Alright, let’s work on this hand immobilization that comes from Wing Chun Gung Fu.”

Why is it so hard for people to comprehend that one of the fundamental underlying principles in JKD is about moving beyond the separation of styles and instead simply looking at martial art in terms of motion, of efficient human movement? Why is it so difficult for people to say, “That person is expressing himself or herself using a punch, a kick, an armlock, etc.? The answer is that it’s because ever since we first began learning, we’ve been entrained to separate, compartmentalize and label things we do and see. And that mindset is what Lee was attempting to help people move away from. When I began training in JKD, one of the first things, my teacher, Dan Inosanto told me, was, “Chris, as Bruce told me, if you understand motion, you don’t need ‘style.”

If a person takes the time and puts forth the energy to read any of Lee’s written material, or listen to any of his audio and video interviews, they will get a very clear understanding of what his view was concerning the idea or notion of “styles.” At the time preceding his death, Lee viewed styles as “cages” or “chains.” A person might be able to move about in a cage or while wearing a set of chains, but they would be restricted nonetheless.

Why JKD is not “Mixed Martial Arts”

Oftentimes, when I am discussing Jeet Kune Do, someone will ask the question, “JKD, …isn’t that just mixed martial arts?” My response to them is, “To the unknowledgeable observer that may appear to be the case, but no it isn’t.” A lot of people today tend to confuse JKD with what is now referred to as “Mixed Martial Arts”, and it is easy to understand the reason for this. JKD is considered by many to be the “original mixed martial art” because it seeks totality in personal combat considering all ranges and aspects of fighting. However, while some similarities exist between the two, they are not the same thing. While MMA may have adopted some of the principles that exist in JKD, such as being able to function in the various ranges and aspects of fighting, there are however, some major differences between JKD and MMA. On the most fundamental level there are rules in MMA. It is a competitive combat “sport”, and as such, the rules and regulations dictate the direction of training. There are, for example, numerous actions that are considered “fouls” in MMA competition that are exactly the type of action a JKD practitioner might use in a self-defense situation, such as kicking the knee, kicking, punching or grabbing the groin, pulling the hair, poking the eyes, finger locks, etc. JKD is about combat “as it is.” Another difference is that, as was discussed above with regard to styles, JKD views martial art as a single unitary whole, in its “totality” as opposed to various separated segments such as kicking, striking, grappling, etc., or ‘this’ art and ‘that’ art combined. This in no way denigrates Mixed Martial Arts or its practitioners. Some of the best martial artists in the world today are involved in the sport.

Conclusion

If you understand the true nature of Jeet Kune Do, you will recognize that there exists no need to “contemporize” it because all of the so-called “updated” material has always been a part of it. You will understand that it’s not about learning “original” JKD and then combining it with various other styles or arts in order to “evolve” it. It’s not about learning this style and that style or combining bits from different styles, but rather, about doing away with the idea of “styles” and getting away from labeling what you do as “this art” and “that art.” You will understand that JKD is about “totality” and efficient human movement in combat
Finally, you will understand that Jeet Kune Do is about you, the individual. It is about you cultivating your own body as a martial instrument and then expressing that instrument with the highest degree of efficiency and effectiveness and with total freedom.

Written by – Chris Kent
www.ChrisKentJKD.com
ChrisKentJKD[at]gmail.com

Sourced by Chris Kent

I thought it might be interesting to post this article which was written over twenty years ago by John Soet, who was an editor for Inside Kung Fu magazine. This came from the Bruce Lee special magazine released October 1990. I knew John personally, and although I do not agree with everything he wrote in this and other articles, one can see how the fog of mis-perception concerning Bruce Lee and JKD have been around for decades. Anyway, read it and let me know what you think.

Twelve Myths About Bruce Lee
By John Steven Soet

Editor’s Note: I would like to make it clear that although I knew Bruce Lee, I was not an intimate acquaintance. I had the privilege of him showing me some techniques, or how to improve my own technique. I do not claim to have studied with him and, to my knowledge, he had no students in his final days.

1. Bruce Lee was a paper dragon. His fighting was based on theory and private sparring, but he never really fought.

REALITY: Bruce Lee never backed away from a fight in his life. This myth was started by tournament fighters, who claimed Bruce Lee never entered a tournament. In the sixties, tournaments were no contact or light contact. They were like games of tag. Bruce felt that such tournaments made about as much sense as target shooting with an empty gun. The sum total of Bruce’s personal training was for reality. He grew up in the tough streets of Hong Kong and was the veteran of many streetfights, whereas many of today’s champions freely admit they have never been in a real fight. I particularly get a kick out of some well-known tournament fighters who tiptoed around him when he was alive who today imply that they could have taken him.

2. Bruce Lee started jeet kune do after he got beaten up by a rival kung-fu instructor.

REALITY: Although I wasn’t there, I have heard the account from eyewitnesses
with little variation. There was pressure from the Chinese community on Bruce not to teach Caucasians. Furthermore, he was establishing a reputation for himself and was very outspoken. A challenge was issued to Bruce and he accepted. In the ensuing fight, neither one really could be said to have beaten the other one up, but according to witnesses Bruce ended up chasing the opponent around the room, punching him in the back, until the fight was stopped. The opponent was an instructor of a very effective long-range style, and Bruce was using techniques from wing chun, an infighting style. The techniques of the two styles were incompatible, and they were literally cancelling each other out. That’s when he realized that rigid adherence to a style cost him the fight, and the seed of the concept of liberation from style first began to sprout.

3. Dan Inosanto became Bruce Lee’s follower after Bruce beat him up.

REALITY: During Ed Parker’s 1964 Internationals in Long Beach, California, Dan was competing. He made a move that should have scored, but wasn’t counted. After the match, Bruce approached him and said, “That should have been a point; I saw it. Your hands were too fast for the judge’s eyes. He couldn’t see the move.” Later on, Ed Parker assigned Dan to be Bruce’s host in Los Angeles, and a lifetime friendship began.

4. Bruce Lee formulated his own system because he knew he could never become grandmaster of the wing chun system.

REALITY: It’s true he never completed his wing chun training, but wing chun is the most widely practiced style in Hong Kong today largely because of Bruce Lee’s fame. The reason he didn’t complete his training was because he had to leave Hong Kong to come to the United States. There was no one in the United States at the time under which he could pursue his studies. The entire formulation of his jeet kune do concepts took place when he was living in the United States. After The Green Hornet, he had the means to return to Hong Kong had he wanted to continue his wing chun studies.

5. Chuck Norris taught Bruce Lee his kicks.

REALITY: Bruce demonstrated his incredible arsenal of kicks in 1964, before he met Chuck. It’s recorded on film. Any competent martial artist can observe the two men and see that Chuck’s kicks are obviously Korean in origin, where the leg is tucked and chambered and the power is generated with a snap of the hip, twist of the support foot, and a rapid retraction. Bruce’s kicks, as you can see in any of his films, are of the Chinese method, originating from the floor without chambering, generating power by remaining relaxed and then snapping at impact, like cracking a whip, and following through without retraction.

6. Jeet kune do is now being widely taught.

REALITY: What’s happening now is a rather humorous polarization. There are some people with a very, very limited knowledge of JKD tacking the name of JKD onto what they teach to get the Bruce Lee association in there to attract students. Then, on the other hand, you’ve got some people with an extensive knowledge of JKD who are actually teaching it, but they are teaching another art with JKD concepts incorporated into their application. A good rule of thumb is the more often a person uses the term JKD in conversation, seminars, articles, promotional material, etc., the less he knows. The less he uses the name or the more reluctant he is to use the name, the more he knows.

7. The Tao of Jeet Kune Do was authored by Bruce Lee.

REALITY: In 1967, in an interview with a magazine, Bruce announced his intention to write a book on his art entitled The Tao of Jeet Kune Do. In the ensuing years, as his focus expanded, he abandoned the idea and was quite vocal about the fact that he had no intention of writing a book, it was conceptually impossible to formally create a text of something that was formless, and there would be no Tao. After his death, a publisher who had, during the early years of Bruce’s career, acquired certain unlimited rights to usage of name, materials, photographs, etc. published a compilation of Bruce’s notes under that title. Some of the notes were items he had directly copied out of other texts and no credit was given, in that they were his personal notes for his personal use. In my opinion, to call Bruce Lee the author of Tao is a bit of a reach.

8. To make him look faster than he really was, the filmmakers speeded up Bruce Lee.

REALITY: Well, at least I have a myth I can address with some authority, as a director. It was exactly the opposite. Bruce was so fast that he was just a blur on the camera, so they slowed him down. The 35mm shutter speeds aren’t that fast. This myth came from the public’s mis-understanding of the film process. You see, in order to slow someone down, you have to do what’s called “overcranking” your camera. This means you speed up the camera, you take more frames per second, but when you play it back, the action is slower. It’s like playing a 45 rpm record at 33 1/2. When people heard that
they had to speed up the camera, they misinterpreted that to mean speeding up
the action.

9. Bruce Lee was a hashish addict, and finally died of a drug overdose.

REALITY: This was started in the 1983 Penthouse article by Albert Goldman. Most readers don’t realize the work that goes into an article. First a writer has to find sources, then check the credibility of each source. If a person has a reason to smear a person or to lie, he’s called an impeachable source. Goldman interviewed many credible sources for the article, such as Dan Inosanto and Adrian Marshall, but for some reason he chose to focus on the statements of Bob Wall. There was a well-known altercation on the set of Enter the Dragon between Bob Wall and Bruce. Whether or not it was Wall’s intention to cast Bruce in a bad light, the fact that there had been war words between the two men would, to a good journalist, make him impeachable. At no time did Bruce appear intoxicated to me. Indeed, he seemed very crisp and alert and almost hyper, totally unlike a habitual user of a narcotic depressant. I would also like to add that although volumes of rebuttal letters were written to Penthouse, the only ones published were either in support of the article or those tinged with fanaticism and lunacy. The responsible letters attempting to tell the truth were not published.

10. Bruce Lee was hot-tempered and nasty.

REALITY: He had a short fuse. There’s no question about it. But he was also the original Mr. Sensitive, and he had a knack for making you feel good about yourself. As a matter of fact, one of the ways to get to know him was to act down. He’d want to know what was wrong, and he’d give you a little pep talk, point up your strong points and always leave you feeling better. He was always for the underdog and he despised bullies.

11. If the things said about Bruce Lee were false, Linda Lee would have sued years ago.

REALITY: Well, unfortunately she’s hamstrung by the system. Bela Lugosi’s son tried to sue over the exploitation of his father and it was ruled that a dead man can’t be defamed. Whether we agree or not, that’s the way the law’s written.

12. Bruce Lee was murdered.

REALITY: We have to honestly look at the facts. He suffered from epilepsy and
frequently complained of headaches. I personally think that the headaches were because he was obviously nearsighted and wouldn’t wear glasses. But there had been previous incidents of his passing out. His brain was swollen at the time of death, and the cerebral edema was evident. Why make of it more than it is?

Article brought to you by Chris Kent

Imagine this nightmare scenario. You take your car to a mechanic for a maintenance and tune-up. When you go back several hours late to pick up the vehicle, you cannot find it anywhere. When you ask the mechanic where it is, he points to a collection of various pieces spread all over the garage floor and tells, “It’s right there, man.” He’s right, your car is there, but it’s no longer what it was designed to be, a single, useful entity that functions efficiently and effectively. The same can be said about the art of Jeet Kune Do. The primary physical objective of JKD training is to finish up a single, useful entity that works efficiently and effectively, not a collection of various elements that sit separately and do not function.

To continue with the analogy of a car, in the same way that different parts from different automobiles may not fit together properly, and even if they fit they might not work the way they were designed, combining various systems of martial arts or elements from various martial art systems together does not guarantee that what you end up with will function well, or even function at all. This is why I believe that JKD should not be confused with the numerous ‘eclectic’ forms of martial arts now popping up everywhere. Eclecticism is often nothing more than the random throwing together of different styles or stockpiling techniques from numerous arts according to fleeting fancy or personal tastes. This is not what Bruce Lee was doing. Lee had a very clear objective in his training. That objective was martial “totality.” And he made sure that all of the components he used to achieve his objective fit together well and functioned at the highest degree of efficiency as possible.

JKD has often been referred to as a “process.” However, even a process, as I said in another article I wrote, is no longer a process if you take it apart. The moment you separate the parts of a process, once you take the process apart, there is no longer a process. There’s no movement. There’s only this thing or that.

And to me, if you take JKD apart, it is no longer JKD. So keep in mind that the objective of your own JKD training should be to finish up with a single, useful entity that works with the highest levels of efficiency and effectiveness for you.

Wishing you well on your journey,

By Chris Kent

Chris Kent’s Jeet Kune Do is an organization dedicated to perpetuating the search for martial truth that Bruce Lee began in his lifetime. The organization is focused upon elevating the standards with regard to both training in and teaching JKD.

A JKD member who says JKD is exclusively JKD is simply not with it.  He is still hung up in his self closing resistance; in this case anchored down to a reactionary pattern and naturally is still bound by another modified pattern and can only move within its limits.  He has not digested the simple fact that truth exists outside of all moulds and patterns, and awareness is never exclusive.  Jeet Kune Do is merely a name used, a boat to get one across the river, and once across, is to be discarded and not to be carried on ones back. – Bruce Lee